Demand for shows from Germany has stagnated since the series finale of the streamer’s first German-language show in 2020
Netflix’s “1899” is behind a new record-high demand for German content around the globe in November, according to Parrot Analytics‘ data, which takes into account consumer research, streaming, downloads and social media, among other engagement.
It has been about two years since Netflix’s first German-language original series, “Dark,” helped drive higher demand for German content around the world. By the time the third and final season of the show premiered at the end of June 2020, total global demand for shows from Germany was more than three times what it had been in January 2019. However, in the two years since the finale of “Dark,” global demand for German content has largely stagnated without seeing the clear gains of previous years. A recent upward trend could signal that demand for German content around the world is making gains again.
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Global demand for German series, Jan. 2019-July 2022 (Parrot Analytics)
The latest uptick in global demand for German content has been driven in part by returning seasons of popular German series like “Babylon Berlin” and “Barbarians.” With “1899,” Netflix is clearly trying to replicate the success of “Dark” with a new show from the same creators, Jantje Friese and Baran bo Odar. This series in particular appears to be engineered for global viewers as it’s a multilingual production with 11 different languages.
There has been surprisingly strong demand for “1899” since it premiered on Nov. 17. It registered an impressive 31 times the average series demand globally in November. Despite having concluded in 2020, demand for “Dark” has held up very well over time. While “1899” managed to surpass demand for “Dark” in the month of its premiere, it will be much harder to match the longevity of the show which has held up so well two years after concluding.
10 most in demand German series, Global, Nov. 2022 (Parrot Analytics)
Looking at the most in-demand German series globally, it’s clear that Netflix has played a key role in popularizing these series with audiences around the world. Four of the five most in-demand German series globally are Netflix originals. “Babylon Berlin,” while not a Netflix original, is distributed exclusively by Netflix in the U.S. and other international markets, which has exposed global audiences to the show. These top five series are in a class of their own with more than twice the demand of the sixth ranked German series, “Das Boot.”
Demand for “1899”s premiere is currently well ahead of both the first and second season premieres of “Dark” and also leads other German series premieres like “Barbarians.” However, the massive global demand for the third and final season of “Dark” still represents a high bar yet to be topped by another German series.
Season 1 of “Dark” took eight days to reach its peak global demand (26.14 times the average series demand). Contrast that with “1899” which hit a peak of 75.7 times the demand of the average series globally in half the time: four days. Season 3 of “Dark” was when the show really took off with audiences around the globe. It hit 139.7 times the average series demand two days after premiering on June 27, 2020.
“1899” has been more successful in winning global audiences over in its first season compared to “Dark.” However, if the goal was to match the success of the final season of “Dark” and convert those viewers into fans of the new series, there’s still work to be done. One similarity between both shows is the slow buildup as the central mystery is revealed. This could indicate that, like ”Dark,” “1899” still needs time to reach its full potential.
Christofer Hamilton is a senior insights analyst at Parrot Analytics, a WrapPRO partner. For more from Parrot Analytics, visit the Data and Analysis Hub.
